Lord Richard MacLeod, Arabic calligraphy artist and speaker

Artist · researcher · speaker

Building bridges between worlds.

Lord Richard MacLeod's work sits where art, faith, migration, design and human identity meet.

Verified public record

TEDxNewcastleUniversityUniversity of BahrainMACFEST Muslim Arts AwardsMuslim Museum UKACM Peace research

The story

Art became another way to make a home.

Lord Richard began his career as an architect before displacement and migration reshaped his understanding of home, identity and belonging.

His Arabic calligraphy practice began in 2009 and developed into a body of work that combines traditional discipline with contemporary questions: How can people hold more than one identity? What makes a place feel like home? How can art create dialogue without flattening difference?

Lord Richard's research explored the relationship between faith, culture and identity. That work led to the QEII Script, a hybrid of Arabic Kufi and English Blackletter created to explore British Muslim identity.

Today, he brings this work into galleries, universities, workplaces and public conversations through artworks, live experiences, workshops and talks.

2009Arabic calligraphy practice began
DubaiInternational exhibition proof point
MACFESTMuslim Arts Awards judge panel
TEDxSpeaker on exile, home and identity
UoBInternational forum speaker
PeacePublished dual-identity research
I Have a Dream artwork by Lord Richard MacLeod

A practice with purpose

Beauty, values and cohesion.

His verified speaking and research include the official TEDxNewcastleUniversity talk Can Your Exile Be Your Home?, an international forum at the University of Bahrain and the published Peace: Projecting Dual-Identities on Interactive Furniture research project.

Beyond the gallery, his aim is practical: to make art a generous, non-threatening way to explore difference, memory and the values people share.

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The evolving practice

Scroll back through the story.

From exhibitions, international speaking and published research to the point where the calligraphy practice began.

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  1. 2025

    Muslim Arts Awards judge

    Named by MACFEST as a judge for its second Muslim Arts Awards, with Richard confirming his judge-panel role across two years.

    Meet the judging panel
  2. 2025

    Celebrating Calligraphy & Creativity

    A featured MACFEST programme sharing the story of the Arabic-British script and the connections between art, faith and identity.

    Read the programme feature
  3. 2022

    Earth Requiem

    Selected for the Art Centre Washington group exhibition bringing artists together in response to the climate crisis.

    See the exhibition record
  4. 2022

    International Forum for Islamic Art and Architecture

    Invited by the University of Bahrain to speak about British Islamic architectural identity in design.

    Read the university report
  5. 2021

    Can Your Exile Be Your Home?

    A TEDxNewcastleUniversity talk about exile, home, identity and the role of art and architecture in making belonging tangible.

    Watch the TEDx talk
  6. 2020

    سلام Peace research

    The bilingual Peace work became part of a published design research project exploring dual identity through interactive furniture.

    Read the ACM research recordFind it in Queen’s iStudio publications
  7. 2019

    Art & Identity at MACFEST

    A shared conversation with artist Siddiqa Juma about creative practice, struggle, identity and the ability of art to open dialogue.

    Watch the conversation
  8. 2016

    Calligraphy workshops at Newcastle University

    A series of open community painting workshops made Arabic calligraphy practical, welcoming and accessible to first-time participants.

    View the event archive
  9. 2015

    Discovery and ISOC Newcastle exhibitions

    Exhibitions and community arts activity connected with Discovery and ISOC Newcastle formed part of a wider 2010 to 2019 exhibition period.

    Read the archive story
  10. 2014

    Featured by Muslim Museum UK

    Profiled as a British Muslim calligrapher and artist during the Love Actually exhibition at Kala Sangam Arts Centre in Bradford.

    Read the artist profile
  11. 2014

    Contemporary Islamic art in Dubai

    The Atqakum Epic was exhibited at Emaar Pavilion in a Ramadan presentation of international contemporary Islamic art.

    Read The National feature
  12. 2009

    Washington DC exhibition

    Richard exhibited in Washington DC as his Arabic calligraphy practice was beginning to gather public shape and direction.

    Read the archive story
  13. 2009

    The calligraphy practice begins

    A sustained Arabic calligraphy practice begins, later bringing Kufi and English Blackletter into conversation.

  14. Archive

    Grainger Market, Olympic exhibition and The Scribe

    The archive also includes the Grainger Market Newcastle exhibition, an Olympic exhibition and Richard’s article in The Scribe.

    Open the exhibition archiveRead the press archive

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